Nj\u00ebqind vjet pas lindjes s\u00eb Pier Paolo Pasolinit, Ambasada e Italis\u00eb n\u00eb Kosov\u00eb dhe Kino Armata n\u00eb Prishtin\u00eb b\u00ebjn\u00eb homazh p\u00ebr intelektualin, shkrimtarin dhe regjisorin e madh italian, duke shfaqur n\u00eb kryeqytetin kosovar 4 nga filmat e tij m\u00eb t\u00eb famsh\u00ebm – “Uccellacci e Uccellini “(1966), “Accattone” (1961), “Mamma Roma “(1962) dhe “Edipo Re”(1967) \u2013 n\u00eb kuad\u00ebr t\u00eb “Mjeshtrave t\u00eb t\u00eb Kinemas\u00eb italian”, nj\u00eb p\u00ebrmbledhje e \u201cKino Armata” q\u00eb ka p\u00ebr q\u00ebllim t\u00eb b\u00ebj t\u00eb njohur para publikut kosovar regjisor\u00ebt e m\u00ebdhenj italian\u00eb dhe \u201cFare Cinema\u201d, nj\u00eb p\u00ebrmbledhje e Ministris\u00eb s\u00eb Pun\u00ebve t\u00eb Jashtme dhe Bashk\u00ebpunimit Nd\u00ebrkomb\u00ebtar t\u00eb Italis\u00eb, kushtuar promovimit t\u00eb kinemas\u00eb dhe industris\u00eb s\u00eb filmit italian.<\/p>\n
Filamt do t\u00eb shfaqen nga data 24 deri m\u00eb 27 maj<\/strong> n\u00eb \u201cKino Armata\u201d, hyrje \u00ebsht\u00eb falas. Shikimi i filmave (n\u00eb gjuh\u00ebn origjinale dhe me titra shqip dhe anglisht) do t\u00eb shoq\u00ebrohet me debate, lexime poezish, shfaqje t\u00eb materialeve arkivore dhe video-prezantime t\u00eb papublikuara p\u00ebr filmat e gjat\u00eb – vep\u00ebr e regjisor\u00ebve, kritik\u00ebve dhe historian\u00ebve t\u00eb kinemas\u00eb italiane \u2013 t\u00eb realizuar posa\u00e7\u00ebrisht n\u00ebn p\u00ebrgjegj\u00ebsinsin\u00eb e Ministris\u00eb s\u00eb Pun\u00ebve t\u00eb Jashtme dhe Bashk\u00ebpunimit Nd\u00ebrkomb\u00ebtar t\u00eb Italis\u00eb.<\/p>\n Pastaj spektator\u00ebt do t\u00eb udh\u00ebhiqen drejt bot\u00ebs s\u00eb Pasolinit nga Aida Baro<\/strong>, kryeredaktore esht\u00ebpis\u00eb botuese \u201cBotime Pegi” n\u00eb Tiran\u00eb, aktive n\u00eb segmentin e teksteve dhe botimeve letrare si dhe p\u00ebrkthyese e njohur – nga italishtja n\u00eb shqip – e veprave letrare dhe kinematografike, p\u00ebrfshir\u00eb ato t\u00eb Pasolinit, nga drejtori i kinemas\u00eb, Alush Gashi<\/strong> dhe nga programuesja Eranda Bokshi<\/strong>.<\/p>\n \u201cDo t\u00eb kujtojm\u00eb figur\u00ebn e Pasolinit dhe modernitetin e tij profetik, q\u00eb e b\u00ebri at\u00eb simbol t\u00eb kultur\u00ebs italiane t\u00eb shekullit t\u00eb nj\u00ebzet\u00eb, p\u00ebrmes poezis\u00eb, artikujve por mbi t\u00eb gjitha kinemas\u00eb\u201d, tha Antonello De Riu<\/strong>, Ambasador i Italis\u00eb n\u00eb Kosov\u00eb. \u201cPas retrospektiv\u00ebs s\u00eb organizuar n\u00eb prill p\u00ebr Michelangelo Antonionin, tani kemi zgjedhur t’ia kushtojm\u00eb recensionin ‘Fare Cinema’ vepr\u00ebs s\u00eb Pasolinit, nj\u00eb artisti poliedrik dhe nj\u00eb prej eksponent\u00ebve m\u00eb t\u00eb m\u00ebdhenj dhe m\u00eb p\u00ebrfaq\u00ebsues t\u00eb kinemas\u00eb dhe let\u00ebrsis\u00eb son\u00eb, mesazhi i t\u00eb cilit mbetet ende shum\u00eb aktual, duke qen\u00eb p\u00ebrpara koh\u00ebs me mendimin e tij pa paragjykime\u201d, shtoi Shefi i Misionit.<\/p>\n Homazhi p\u00ebr Pasolinin hapet t\u00eb mart\u00ebn,<\/strong>\u00a024 maj n\u00eb or\u00ebn 19:30<\/strong> me filmin “Uccellacci e Uccellini”, nj\u00eb komedi por edhe nj\u00eb fabul alegorike, me qend\u00ebr nj\u00eb udh\u00ebtim n\u00eb fshatrat e Rom\u00ebs t\u00eb nj\u00eb babai dhe djalit t\u00eb tij (Tot\u00f2 dhe Ninetto Davoli. ), t\u00eb shoq\u00ebruar n\u00eb udh\u00ebtimin e tyre nga nj\u00eb sorr\u00eb marksiste q\u00eb flet (me z\u00ebrin Francesco Leonetti ). Nj\u00eb figur\u00eb, ajo e sorr\u00ebs, n\u00eb t\u00eb cil\u00ebn Pasolini njeh intelektualin e majt\u00eb, t\u00eb kapur nga kapitalizmi konsumator q\u00eb homologon gjuh\u00ebt, kulturat dhe nd\u00ebrgjegjet. Filmi ishte fitues i \u00e7mimit “Nastro d’Argento” (1967) p\u00ebr tregimin m\u00eb t\u00eb mir\u00eb. Mbr\u00ebmja do t\u00eb prezantohet nga drejtori Gashi dhe Ambasadori De Riu; p\u00ebr t\u00eb ndjekur, pas filmit, debatin me Aida Baron dhe Eranda Bokshin.<\/p>\n P\u00ebrmbledhja vazhdon t\u00eb m\u00ebrkur\u00ebn, 25 maj, n\u00eb or\u00ebn 19:00<\/strong> me filmin \u201cAccattone\u201d, vepra par\u00eb q\u00eb sh\u00ebnoi debutimin e Pasolinit si autor kinematografik, xhiruar me aktor\u00eb joprofesionist\u00eb. Protagonisti i filmit, Vittorio, i quajtur Accattone, \u00ebsht\u00eb nj\u00eb \u201cdjal\u00eb i jet\u00ebs\u201d q\u00eb jeton n\u00eb margjinat e shoq\u00ebris\u00eb, n\u00eb periferi t\u00eb Rom\u00ebs. Nj\u00eb dit\u00eb ai takohet me Stel\u00ebn, vajz\u00ebn me t\u00eb cil\u00ebn bie n\u00eb dashuri dhe p\u00ebrpiqet t’i ndryshoj\u00eb jet\u00ebn duke zgjedhur ndershm\u00ebrin\u00eb, por rruga drejt “sh\u00eblbimit” nuk \u00ebsht\u00eb aq e leht\u00eb sa duket. Fitues i \u00e7mimit t\u00eb par\u00eb p\u00ebr regji n\u00eb Festivalin Nd\u00ebrkomb\u00ebtar t\u00eb Filmit n\u00eb Karlovy Vary (1962).<\/p>\n Filmi i tret\u00eb i propozuar, t\u00eb enjten, 26 maj, n\u00eb or\u00ebn 19:00<\/strong>, \u00ebsht\u00eb \u201cMamma Roma\u201d, filmi i dyt\u00eb i Pasolinit, me aktoren kryesore Anna Magnani. Ai gjithashtu zhvillohet n\u00eb periferi romake dhe tregon historin\u00eb e Mamma Roma, nj\u00eb prostitut\u00eb e cila p\u00ebr dashurin\u00eb e djalit t\u00eb saj, p\u00ebr t\u00eb cilin d\u00ebshiron nj\u00eb jet\u00eb ndryshe nga ajo e saj dhe q\u00eb nuk \u00ebsht\u00eb n\u00eb dijeni t\u00eb profesionit t\u00eb n\u00ebn\u00ebs s\u00eb saj, p\u00ebrpiqet t\u00eb ndryshoj\u00eb jet\u00ebn e saj. . Djali i tij Ettore, megjithat\u00eb, do t\u00eb m\u00ebsoj\u00eb ende p\u00ebr t\u00eb kaluar\u00ebn e n\u00ebn\u00ebs s\u00eb tij.<\/p>\n Recensioni p\u00ebrfundon t\u00eb premten, 27 maj, n\u00eb or\u00ebn 19:00<\/strong> me \u201cEdipo Re\u201d, paraqitur n\u00eb konkurrim n\u00eb Festivalin e 28-t\u00eb Nd\u00ebrkomb\u00ebtar t\u00eb Filmit n\u00eb Venecia (1967). Vepra rip\u00ebrpunon tragjedin\u00eb e Sofokliut n\u00eb t\u00eb cil\u00ebn miti i Edipit pasurohet me konotacione t\u00eb forta autobiografike. Ky \u00ebsht\u00eb filmi i par\u00eb n\u00eb t\u00eb cilin Pasolini e mat veten me mitin klasik, p\u00ebr t\u00eb evokuar, n\u00eb nj\u00eb m\u00ebnyr\u00eb \u00ebnd\u00ebrrimtare, rrug\u00ebn e tij t\u00eb jet\u00ebs. Fitues i ” Nastro d’argento” (1968), \u00e7mimi m\u00eb i vjet\u00ebr i filmit italian p\u00ebr subjektin m\u00eb t\u00eb mir\u00eb origjinal. Pas shfaqjes do t\u00eb ket\u00eb nj\u00eb lexim t\u00eb poezive t\u00eb autorit italian.<\/p>\n Pier Paolo Pasolini<\/strong> (Bolonj\u00eb, 5 mars 1922 – Rom\u00eb, 2 n\u00ebntor 1975) ishte poet, regjisor, skenarist, shkrimtar, aktor dhe dramaturg italian. Ai u dallua n\u00eb fusha t\u00eb shumta, duke dh\u00ebn\u00eb kontribute edhe si piktor, romancier, gjuh\u00ebtar, p\u00ebrkthyes dhe eseist. Jan\u00eb t\u00eb njohur artikujt e tij t\u00eb botuar n\u00eb gazetat kryesore t\u00eb koh\u00ebs, t\u00eb mbledhura m\u00eb von\u00eb n\u00eb vepr\u00ebn \u201cScritti corsari\u201d. Nd\u00ebr romanet e tij m\u00eb t\u00eb njohura jan\u00eb “Ragazzi di vita” dhe ” Una vita violenta”. Ai frym\u00ebzoi ekzistenc\u00ebn e tij mbi jokonformizmin dhe diversitetin radikal, deri n\u00eb vdekjen e tij me vrasje n\u00eb 1975 n\u00eb periferi t\u00eb Rom\u00ebs. V\u00ebzhgues i v\u00ebmendsh\u00ebm i ndryshimeve n\u00eb shoq\u00ebrin\u00eb italiane nga periudha e dyt\u00eb e pasluft\u00ebs deri n\u00eb mesin e viteve 1970, si dhe nj\u00eb figur\u00eb e diskutueshme ndonj\u00ebher\u00eb, ai shpesh ngjallte polemika t\u00eb forta dhe debate t\u00eb nxehta p\u00ebr shkak t\u00eb natyr\u00ebs radikale t\u00eb gjykimeve t\u00eb tij, shum\u00eb kritike ndaj zakoneve borgjeze dhe shoq\u00ebris\u00eb konsumatore e sapolindur, si dhe n\u00eb lidhjeje me l\u00ebvizjen e vitit 1968.<\/p>\n P\u00ebrmbledhja “Fare Cinema<\/strong>” u prezantua n\u00eb vitin 2018 nga Ministrin\u00eb e Pun\u00ebve t\u00eb Jashtme dhe Bashk\u00ebpunimit Nd\u00ebrkomb\u00ebtar t\u00eb Italis\u00eb dhe u organizua n\u00eb bashk\u00ebpunim me Ministrin\u00eb e Kultur\u00ebs, Shoqat\u00ebn Komb\u00ebtare t\u00eb Industrive Kinematografike Audiovizive Digjitale (ANICA), Agjencin\u00eb p\u00ebr promovimin jasht\u00eb vendit dhe nd\u00ebrkomb\u00ebtarizimin e kompanive italiane (ICE), Inctitutin Luce – Cinecitt\u00e0, Komisionet Italiane t\u00eb Filmit dhe Akademin\u00eb Italiane t\u00eb Kinemas\u00eb – \u00c7mimet David di Donatello. Nisma synon t\u00eb rris\u00eb industrin\u00eb e kinemas\u00eb italiane dhe profesionalizmin e saj n\u00ebp\u00ebrmjet p\u00ebrhapjes jasht\u00eb vendit t\u00eb filmave dhe p\u00ebrmbajtjeve t\u00eb thelluara mbi kineman\u00eb italiane dhe realizimit t\u00eb eventeve nga rrjeti diplomatik-konsullor dhe institutet Italiane e Kultur\u00ebs.<\/p>\n","protected":false},"excerpt":{"rendered":"Nj\u00ebqind vjet pas lindjes s\u00eb Pier Paolo Pasolinit, Ambasada e Italis\u00eb n\u00eb Kosov\u00eb dhe Kino Armata n\u00eb Prishtin\u00eb b\u00ebjn\u00eb homazh p\u00ebr intelektualin, shkrimtarin dhe regjisorin e madh italian, duke shfaqur n\u00eb kryeqytetin kosovar 4 nga filmat e tij m\u00eb t\u00eb famsh\u00ebm – “Uccellacci e Uccellini “(1966), “Accattone” (1961), “Mamma Roma “(1962) dhe “Edipo Re”(1967) \u2013 […]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-912","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/comments?post=912"}],"version-history":[{"count":0,"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/posts\/912\/revisions"}],"wp:attachment":[{"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/media?parent=912"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambpristina.esteri.it\/sq\/wp-json\/wp\/v2\/tags?post=912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}